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Voices (On The Air) Lyrics | ||
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And I'm
hearing the whispers from my window Voices on the air And I'm
feeling like a moody situation Voices on the air |
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Voices Credits | ||
Severin
- Lyrics |
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Inspiration/Influence/Band Comment | ||
The Haunted Palace by Edgar Alan Poe & On Wine & Hashish by Baudelaire. | ||
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Pulled To Bits Lyrics | ||
Tongues
are clacking Pulled to
bits Buildings
bleached with chatter chatter clatter Pulled to
bits Young
lungs snapping, coming up for air Pulled to
bits in silence Pulled to
bits |
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Pulled To Bits Credits | ||
Severin -
Lyrics |
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Inspiration/Influence/Band Comment | ||
Inspiration/Influence/Band Comment: The acts of copy cat violence that followed the release and subsequent withdrawal of Stanley Kubricks A Clockwork Orange. | ||
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Mittageisen Lyrics | ||
Reunion
beginnt Metall
ist stark, Metall
will scheinen Mit
mechanischem Rucken Metall
ist stark, Metall
will scheinen Es
beherrscht unser Leben Metall
ist stark, Metall
will scheinen |
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Mittageisen Credits | ||
Sioux
(Translated by Dave Woods & Renate) - Lyrics |
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Inspiration/Influence/Band Comment | ||
Dedicated to the celebrated photomontage artist of the
Twenties/Thirties, John
Heartfield, the original title for this song was
'Letter To Heartfield'. The chorus is taken from one of Goerring's
speeches during the Second World War. SIOUXSIE: "It's a warning song. The whole propaganda of the Nazis at that time was very dangerous and it could easily creep its way in without there being all the hysteria of killing the Jews. Their whole propaganda could easily fit in today." How does she see this Metal Metropolis? "Not being able to get away from the commands of the day, not being able to escape, the idea of having cameras in your room and having people watching you..." Source: Melody Maker 21/10/78 SIOUXSIE: "What lies around the swastika I hate, but I also don't identify with blind patriotism either. I couldn't write a song based around Heartfield if I had that attitude." Source: Melody Maker 17/02/79 |
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Eve White/Eve Black Lyrics | ||
It hurts I can feel
it coming Let me out
of here Let me out
of here Let me out
of here Let me out
of here Never say
die Let me out
of here |
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Eve White/Eve Black Credits | ||
Sioux -
Lyrics |
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Inspiration/Influence/Band Comment | ||
Based
on a real woman Christine Sizemore who suffers from Multiple Personality
Disorder. The inspiration for this song was the book I'm
Eve by Christine Costner - Sizemore & Elen Sain - Pittillo.
Written after reading The Three Faces Of Eve by Thigpen & Cleckley Source: Zigzag 05/80 & The File, Phase One. |
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Red Over White Lyrics | ||
The
woods and the town Israel, Israel |
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Red Over White Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
Partly inspired by The Benefactor, a short horror story by Walter Winward. | ||
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Slap Dash Snap Lyrics | ||
Shiny, shiny pieces Pass the parcel Cutthroat finger |
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Slap Dash Snap Credits | ||
Severin -
Lyrics |
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Inspiration/Influence/Band Comment | ||
Musically by Velvet Underground's song 'Murder Mystery' and lyrically by a film called Towers Open Fire. Source: Downside Up liner notes. | ||
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Coal Mind Lyrics | ||
Two
black holes staring Mutter
mutter eyelids wonder Come
mine
this coal mind There's
famine in mind
Murder in mind, someone throw him a line Oh Madonna
Medusa Ignition
nutrition and now ventilation
Gun blew his roof off Oh Madonna
Medusa |
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Coal Mind Credits | ||
Sioux -
Lyrics |
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Inspiration/Influence/Band Comment: | ||
The book The Green Brain by Frank Herbert. Source: Downside Up liner notes. | ||
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Obsession II | ||
Instrumental | ||
Obsession II Credits | ||
Sioux -
Voice, Breath, Tubular Bells & Claps |
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A Sleeping Rain | ||
Instrumental |
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A Sleeping Rain Credits | ||
Sioux
- Xylophone & Tubular Bells Severin - Bass & AMS McGeoch - Liquid Guitars Budgie - Drums, Kalimba & Percussion |
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Tattoo Lyrics | ||
When
you're sitting all alone Colour me A warm
feeling Colour me Something
fierce along my spine Fortify
my arms Colour
me Like a
stomach split in half Colours
me When
you're sitting all alone But
tattooed on the inside Colours me Slap
your thigh, slap your calf Colour me |
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Tattoo Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
The film Tattoo. Source: Downside Up liner notes. | ||
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Let Go Lyrics | ||
Nautical
mile stretch out for years And the
countdown probe Machine
in charge with the wry smile flickers And the
countdown probe And the
countdown probe |
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Let Go Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
The film '2001: A Space Odyssey. Source: Downside Up liner notes. | ||
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An Execution Lyrics | ||
This is what she saw |
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An Execution Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
Based on the 'myth' of Countess Bathory. "She (Siouxsie) was reading this book about Countess Bathory, called 'Was Dracula A Woman?' or something. She used to bath in the blood of virgins in the vain hope it would keep you young. (Carruthers) Source: Zigzag 12/85. | ||
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Quarterdrawing Of The Dog | ||
Instrumental |
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Quarterdrawing Of The Dog Credits | ||
Sioux
- Piano & Whistle Severin - Bass Carruthers - Guitar Budgie - Drums & Waterphone |
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Lullaby Lyrics | ||
The lunacy will leave
the day Wrap
around this brilliant veil The
dream swan spins Shaking
down its morning swords O hush
awhile I'll be watching over you |
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Lullaby Credits | ||
Severin
- Lyrics |
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Inspiration/Influence/Band Comment | ||
King Ludwig II, the 'mad king' of Bavaria. Source: Downside Up liner notes. | ||
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Sleepwalking (On The Highwire) Lyrics | ||
You can
see her now Balancing
on tiptoe Sleepwalking You can't
hurt her now Balancing
on tiptoe Sleepwalking |
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Sleepwalking (On The Highwire) Credits | ||
Severin -
Lyrics |
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Inspiration/Influence/Band Comment | ||
The title was inspired by the film Trapeze. Source: Downside Up liner notes. | ||
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She's Cuckoo Lyrics | ||
Wryneck laughter from
gatherings of stony chit-chat |
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She's Cuckoo Credits | ||
Budgie - Lyrics |
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Inspiration/Influence/Band Comment | ||
Originally titled 'He's Cuckoo', Budgie is inspired by the 'cuckoo' noise that emanates from his boiling kettle one morning, leafs through his Observer Book Of Birds and writes the lyrics. | ||
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Something Wicked (This Way Comes) Lyrics | ||
Something
strange is happening I hear
its smell and I want to scream There's
something evil on the wind By the
pricking of my thumbs |
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Something Wicked (This Way Comes) Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
Song title taken from a Ray Bradbury novel and film adaptation of the same name. | ||
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El Dia De Los Meurtos Lyrics | ||
It's
all soul's day El Dia
de Los Muertos Kiss
the bride There
is more time than life Wearing
quetzai plumes Me
lleva el diablo Buenos
noches y adios Buenos
noches y adios Bailamos,
bailamos Me
lleva el diablo |
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El Dia De Los Meurtos Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
An exhibition called 'Day Of The Dead' by Posadas at the Serpentine Gallery, London. Source: Downside Up liner notes. | ||
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Sunless | ||
Instrumental |
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Sunless Credits | ||
Sioux
- Voice Severin - Bass Klein - Guitar Budgie - Drums McCarrick - Keyboards |
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I Could Be Again Lyrics | ||
Through
growing gloom, I see the flicker of treason To be
again, I could be again Taking
form a complete transformation To be
again, I could be again |
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I Could Be Again Credits | ||
Sioux
- Lyrics |
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Inspiration/Influence/Band Comment | ||
The lyric 'Just us, the cameras and those wonderful people out there in the dark' is a actually a line quoted by Gloria Swanson at the end of the film Sunset Boulevard. | ||
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Red Over White Lyrics | ||
The woods and the town Red running over white |
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Red Over White Credits | ||
Sioux - Lyrics |
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Inspiration/Influence/Band Comment | ||
Partly inspired by The Benefactor, a short horror story by Walter Winward. | ||