HAI! - PRESS RELEASE | ||
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When
Siouxsie & The Banshees' 'Seven Year Itch Tour'
ended in Japan, August 18, 2002, it marked the end of an era.
24hrs later, an impromptu session in a Tokyo recording studio heralded
the beginning of something new...
"No more maybe, no more could be, say yes!" Siouxsie Siouxsie
& Budgie return as The Creatures with their emphatically titled new
album 'Hái!'
Translated, the title of this Self-produced, Anglo-Japanese fusion means
'Yes!' and
is released on their own Sioux Records label
on As
mysterious as the serene yet sensual beauty of the cover image by
Japanese artist Kimiko Yoshida, 'Hái!'
is an alchemy of distilled atmospherics and
sublime minimalism. Yet as Siouxsie's
vocals soar over Budgie's
daredevil drums & marimbas, syncromeshed
to the pulsing Taiko rhythms of ex-Kodo
drummer Leonard Eto, 'Hái!'
soon splits several sonic skins to emit a roar that would rival that of
Japan's
most famous movie monster, 'Godzilla!',
whose paean from Siouxsie will be released
as a single on October 6, 2003. "The
Creatures are primal: it’s our guts, our deepest instincts coming
through." Budgie 'Hái!'
began on the stormy "I
was enthralled as I watched the coming together of these two kindred
spirits. Words and melodies came to me immediately but mindful of
breaking the spell, I had to store my inspiration until we got back home
to Continuing
a pioneering journey that began with The Creatures'
recording their first album 'Feast'
in Hawaii (1983), 'Boomerang'
in Spain (1989) and 'Anima
Animus'
France, USA & UK (1999), 'Hái!'
threads together a characteristically diverse mix of inspirational
sources. Touched by the delicate snowfall imagery of Akira Kurosawa's
'Ikiru' (1952),
absorbing the vibrancy of From
the opening Semi Cicada drone of 'Say
Yes!',
we are exposed to an audioramic assault in 'Around
the World' and
'Seven
Tears'.
Charmed by the B-movie humour of 'Godzilla!'
and seduced by the Shamanic chant of 'Imagoro'.
We traverse the sexual tightrope of 'Tourniquet',
experience the strikingly beautiful fatalism of 'Further
Nearer',
languish in the poignant isolation of 'City
Island',
before finally being transported on the Hokusai
Wave of assertive optimism that is 'Tantara!' If
Budgie's
drums are the beating heart of The Creatures, then Siouxsie's
voice is the lifeblood, capable of the same ground-shaking dynamism it
is also, as is evident on 'Hái!',
an increasingly subtle and uniquely entrancing instrument. |
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