TINDERBOX - TOUR |
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Support acts during 1985/86: | ||
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DATE/VENUE | ||
December | ||
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05/12/86 - Buenos Aires, Obras Sanitarias | ||
03/12/86 - Rio De Janeiro, Leblon | ||
01/12/86 - Sao Paulo, Palacio das Conventiones | ||
November | ||
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29/11/86 - Santos, Caisada Clube | ||
28/11/86 - Sao Paulo, Palacio das Conventiones do Anhembi | ||
27/11/86 - Sao Paulo, Palacio das Conventiones do Anhembi | ||
July | ||
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19/07/86
- Bristol, W.O.M.A.D. Festival
Song From The Edge Of The World (Live debut) |
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12/07/86 - Brest, Rockscene Festival | ||
02/07/86 - New York, Pier 84 | ||
June | ||
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29/06/86 - Norfolk, The Boathouse | ||
28/06/86
- Charlotte, Park Elevator |
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27/06/86 - Atlanta, Center Stage | ||
25/06/86 - Birmingham, University of Alabama | ||
24/06/86 - New Orleans, McAlister Auditorium | ||
22/06/86
- Houston, Cullen Auditorium |
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21/06/86 - Dallas, Arcadia Theatre | ||
20/06/86
- Austin, Opera House
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18/06/86
- Denver, Rainbow Music Hall |
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16/06/86 - Salt Lake City, Fairgrounds | ||
14/06/86 - Irvine, Irvine Meadows Amphitheatre | ||
13/06/86 - San Diego, Amphitheatre | ||
12/06/86 - Mesa, Centennial Hall | ||
09/06/86
- Santa Cruz, Civic Auditorium |
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07/06/86 - Los Angeles, Palladium | ||
06/06/86 - Los Angeles, Palladium | ||
03/06/86 - Santa Barbara, Arlington Theatre | ||
02/06/86 - Davis, Freeborn Hall | ||
01/06/86 - Oakland, Henry J. Kaiser Arena | ||
May | ||
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30/05/86 - Seattle, Paramount Theatre | ||
29/05/86 - Vancouver, Thunderbird Arena | ||
25/05/86
- Minneapolis, Orpheum Theatre |
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24/05/86
- Chicago, Riviera Theatre
Cities In Dust |
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BOOTLEGS | ||
THE SWEETEST CHILL |
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23/05/86
- Royal Oak, Music Theatre |
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21/05/86
- Rochester, Harrow East |
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19/05/86 - Montreal, St. Denis Theatre | ||
16/05/86 - Boston, Orpheum Theatre | ||
15/05/86 - New York, Radio City Music Hall | ||
13/05/86
- Philadelphia, Irvine Auditorium
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12/05/86 - Washington, D.C., Warner Theatre | ||
April | ||
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24/04/86
- Bonn, Biskuithalle |
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23/04/86 - Amsterdam, Jaap Eden Hall | ||
November | ||
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28/11/85 - London, Royal Albert Hall | ||
25/11/85 - Dublin, S.F.X. Hall Musé | ||
24/11/85 - Dublin, S.F.X. Hall | ||
23/11/85 - Belfast, Avoneille Centre | ||
20/11/85 - Norwich, University of East Anglia | ||
19/11/85
- Ipswich, Gaumont Theatre
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18/11/85 - Folkstone, Leascliffe Hall | ||
16/11/85 - Cardiff, Ocean Club | ||
15/11/85 - Poole, Arts Centre | ||
14/11/85
- Oxford, Apollo Theatre
Green Fingers Courtesy of Martin |
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11/11/85 - Cardiff, Cardiff University (Cancelled) | ||
10/11/85
- Bristol,
Hippodrome
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09/11/85 - St. Austell, Cornwall Coliseum | ||
07/11/85
- Wolverhampton,
Civic Hall |
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05/11/85 - Nottingham, Royal Concert Hall | ||
04/11/85 - Liverpool, Royal Court | ||
02/11/85 - Carlisle, Sands Centre | ||
01/11/85
- Dundee,
Cairn Hall
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October | ||
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31/10/85
- Aberdeen,
Capitol Theatre |
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26/10/85
- London,
Hammersmith Odeon
Dazzle |
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BOOTLEGS | ||
LIVE AGAIN AT LONG LAST |
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25/10/85 - London, Hammersmith Odeon | ||
24/10/85 - London, Hammersmith Odeon | ||
22/10/85 - Gloucester, Leisure Centre | ||
21/10/85 - Slough, Fulcrum Centre | ||
19/10/85
- Birmingham,
Odeon |
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18/10/85 - Brighton, Conference Centre | ||
15/10/85 - Manchester, Apollo Theatre | ||
14/10/85 - Leicester, De Montfort Hall | ||
12/10/85
- Newcastle,
City Hall |
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11/10/85 - Edinburgh, Playhouse Theatre | ||
10/10/85 - Glasgow, Barrowlands Ballroom | ||
08/10/85 - Bradford, St. George's Hall | ||
07/10/85 - Sheffield, City Hall | ||
05/10/85
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Preston,
Guildhall
Icon |
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Record Mirror 1985 | ||
It's a funny thing, punk. Here we are, eight or nine years after the revolution. Its foremost practitioners, the Sex Pistols, have long since exploded in their own slipstream. The Clash became confused somewhere along the way and became a rock band; you know, like Pink Floyd. They don't work for a living anymore. But Siouxsie's still going, out to exercise some new material on guinea-pig audiences around nation. What an audience it is, too. Seasoned Goths mix with insurance clerks and pink-faced apprentice punks. Sensibly dressed girls wobble one knee to the bassy beat and sing along. For some reason, there seem to be a lot of people, dressed made-up and coiffured like Edna O' Brien. Whatever would she say? Much drama at the start. A curtain covers the lip of a cloth-constructed cave. What will be inside? Aladdin? Fairies? No. Just the band and a couple of sets of crossed fluorescent tubes. So there it is - the face that released a thousand shutters. She looks like Theda Bara, vamp of the silent screen, after a strict diet. Left and right she rotates her head just like a Dalek and makes window-cleaning motions with her arms. If Siouxsie is trying to tell us something, I can't imagine what it could be. A quarter of the crowd pogoes in front of me. The floor, being a post-punk design, gives rather too much, flipping me up and down. The rest of the punters sit back in the tiered seats, passing chocolates, no doubt. "Have we eaten all the nut whirls? When's she gonna do 'Hong Kong Garden'? What about the marzipans?" The band, meanwhile, plays more window-cleaning music. Siouxsie moves accordingly. Severin plays rock 'n' roll on his bass. My backbones almost reacts but, no, the rest of the band decide not to go along with it. New boy guitarist looks down assiduously at his guitar, thinking, probably, 'would Robert do it like this'? The whole band plays rock 'n' roll on the middle section of yet another new one. And now a tired old version of 'Christine'. Ho hum. Listen, what's the difference between Siouxsie Sioux and Bonnie Tyler? Two short encores and they're off to the hotel and, I expect, an early night. Seriously though, what is the difference between Siouxsie and Bonnie Tyler? Robert Graham |
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August | ||
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11/08/85
- Mont
de Marsan, Le Bullring
Icon |
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10/08/85
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De Panne, Seaside Festival Icon |
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July | ||
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22/07/85
- Scandicci,
Palasport
Icon |
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20/07/85
- Tara Icon |
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18/07/85
- Naples,
Teatro Partenope
Icon |
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17/07/85
- Pescara,
Antistadio Overground |
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16/07/85
- Scandicci,
Palasport (Cancelled) |
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14/07/85
- Correggio,
Festival de l'Unita
Icon |
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13/07/85
- Cattolica,
Sports Ground |
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12/07/85
- Collegno,
Parco de la Chiesa Icon |
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10/07/85
- Bandol, Icon |
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09/07/85
- Annecy,
Parc Des Exposition |
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April | |||
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10/04/85
- London,
St. James Church
Icon |
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Record Mirror 1985 | |||
Dearly Beloved, we are gathered here in the sight of God (well, his son anyway) to witness the union of Siouxsie And The Banshees with their reputation. The stirring church organ piped through the smoke and nurtured solemn expectation., for St James's church was the perfect setting for the band's amalgam of ceremony and celebration - each vying for thunderous acclaim, and both resisting apathy through their passionate delivery. Budgie piled into his drums with 'Icon', the leaded glass bowed outward, the crowd surged forward, and all eyes focused on the Gothic Diva beneath stained glass, Siouxsie, the untarnished high-priestess of punk who spits roses, still has a chaste voice that seduces warmth and intrigue, and a debilitating scream that demands the surrender of all senses. There's no earthly reason why this funeral pump and heady beat should provoke such a vehement reaction from the erupting pews. But what need of reason when 'Cascade', and the new unpolished 'Cannons' crippled sense, distorted rhyme, fractured emotion, yet healed these wounds with suspense. While 'Night Shift' chimed with spirals of morbid decay - a descent that never slackened, and never questioned. What need of questions when conviction can tailor answers? Half the band departed, and a music box of intricate delight opened with Andy Flowerpot Man's keyboards which groomed a childish and perverse nightmare that galloped into the light of 'Mother' and 'I Promise' but, sadly (and as usual), the Banshees were unable to maintain their momentum throughout the set, and lulled the audience into a sense of false security and alarming indifference - mainly caused by the heavy weight of new material exhibited without the light relief of past triumphs. The dimmed reaction was vanquished by the pulverising force of 'Painted Bird', where ringing guitar strings arched over Severin's underpinning and Sioux's coy, detached embrace. Spirits rose even higher with 'Halloween', causing a riot in the aisles, as jagged phrases were torn from the bowels of superstition and hurled with torrid abuse into vistas of exotic fantasy: a dream sustained by 'Monitor' with ritual gusto. Drenched in rousing fervour, the second encore 'Israel' (a later day 'Jerusalem'?) further sated the congregation's thirst fro authority, and sealed the lips of promise. Without sermons from the evenings heroine, the concert raised over £5,000 for Pete Townsend's Double O Charity. What need of heroin and death when nights such as these can take such flight? Ted Mico |
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BOOTLEGS | |||
ST JAMES CHURCH |
IN A PAGAN PLACE |
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ALL CREATURES GREAT & SMALL |
WANNA CIGARETTE |
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